The contemporary jew in the Elizabethan drama / by J. L. Cardozo. 1925
Content
- Cover
- Title page
- Title page
- Stamp
- V Contents
- VII Synopsis of Contents
- 1 Chapter I. Introduction; Mr. Lucien Wolf's theory; Historical Remarks and Criticism
- 49 Chapter II. Sir Sidney Lee's Thesis Considered on General Lines
- 85 Chapter III. Lee's Evidence Examined; Clothiers, Pawnbrokers and Usurers. Jews or French? Semi-Judaei. Dissenters Called Jews.
- 141 Chapter IV. Three Plays Containing Jews
- 141 I - The Travails of the Three English Brothers Sherley (1607)
- 156 II. A Christian turn'd Turk (1612)
- 168 III. The Custom of the Country (1620)
- 179 Chapter V. Names
- 207 Chapter VI. The Name Shylocke
- 235 Chapter VII. The Subject Matter of the Merchant of Venice Especially the Bond-Story
- 235 The "historicity" of the Flesh-Bond theme - Oriental or Western? - The Laws of the XII Tables - Grimm, Simrock, Benfey
- 245 The Flesh-Bond in the Bamberg Ballad
- 251 The Leti-Story
- 254 Chapter VIII. The "Shylocke" Story in Europe
- 267 Johannis de Alta Silva Dolopathos, Sive de Rege et septem sapientibus
- 275 The Flesh-Bond and Bride story in the Gesta Romanorum
- 280 Cap. 168 (folio 87 v.) [De Lucii Filia et Milite]
- 283 The Moralizations in the Gesta Romanorum
- 291 Is the Gesta a link between Dolopathos and Il Pecorone?
- 296 Chapter IX. Ser Giovanni Fiorentino's "Pecorone" - the Play of the Jew 1579 - the Merchant of Venice
- 331 A Select Bibliography